The reason she is perpetually exhausted is that the spirits keep pestering her at night. She works as an assistant chef at a hip restaurant and keeps getting reprimanded by her unbelievably good-looking boss for sleepwalking the entire day. Na Bong-sun (Park Bo-young) is a timid girl with low self-esteem who also sees spirits of the dead because of a shaman (mediator) ancestor. This is a drama very different from its contemporaries and it’s definitely worth a watch. Their relationship is sweet and chaste and you find yourself rooting hard for them. They act as a soothing balm for each other’s battered souls and start to heal together through warm companionship. A stoic 40-something man and a burdened, emotionally closed off 20-something woman form a beautiful friendship that remains undefined. ‘My Mister’ is the story of love, but not the kind you would imagine and expect. It does get a bit melodramatic and frankly, ridiculous, towards the end but you can ignore that. With a peppy soundtrack that will burrow itself into your brains, this show is just plain oodles and oodles of fun. Even though this drama is the king of stereotypical characters and cliche storylines (there is even a makeover paid for by the rich guy), it is still eminently watchable.
A rich, spoilt, and entitled brat meets a poor and kind girl who refuses to bow down to him like the other students at his elite school do, and he is instantly smitten. One of the most famous K-dramas of all time, ‘Boys Over Flowers’ is a rite of passage for all Korean drama initiates and a huge crowd-pleaser. Read More: Best Korean Movies on Amazon Prime 16. You will not find any silliness here (the kind that is so prevalent in Korean dramas).
Darkly realistic themes like adultery are explored in an elegantly nuanced manner and the characters are depicted as flawed, at times selfish people. ‘One Spring Night’ is not a teenage romance indulging in giddy first love, but a mature and sober narrative of what an actual adult relationship looks like in modern-day Korea. The handsome, charming, smart, and kind Ji-ho is head over heels for Jeong-In, but she comes with baggage (and a boyfriend of 4 years who she doesn’t love anymore). One Spring Night (2019)Īfter a chance meeting one night at the pharmacy, prim librarian Lee Jeong-In and pharmacist and single dad Yu Ji-ho feel the tug of a mutual attraction, which soon develops into full-blown love. The actors have all acted well, and even the side characters are nicely fleshed out. The “who’s the baby daddy” trope is done and dusted, but this show makes it seem fresh, it’s so fun. Ae-Jung has a history with three of them, who she used to know closely before her pregnancy. Oh Dae-oh is an attractive man of questionable morals, Ryu Jin is handsome and rich but a bit pathetic, Goo Pa-do is scary yet quite alluring, and Oh Yeon-woo is a flirtatious younger man.
That changes drastically when she suddenly meets and starts getting wooed by four men with very different personalities. Noh Ae-Jung (Song Ji-Hyo) is a tough cookie, a single mother who has not dated in the last 14 years. The characters are funny, silly, and very engaging.
This show is light and airy, full of harmless fluff that one could enjoy as escapist entertainment. One fine day, Ha Won meets a rich old man who offers her a job as a live-in caretaker at a palatial mansion which is inhabited by three gorgeous men – billionaire cousins and spoilt heirs to the substantial Kang family fortune. She works part-time to save up for her college tuition. In this modern-day fairytale, Eun Ha Won (Park So-dam) is a bright and athletic high school girl who is often bullied by her stepmother and stepsister. The highlight of the show is not the romance though, but the rivalry and the power struggle between Lee Min Ho and Kim Woo Bin’s characters, who are childhood frenemies. The show, even though exciting and energetic, falls victim to several common tropes and cliches of the older K-dramas that came before it. They fall in love but are kept apart by the steep difference in their social classes.
Eun Sang’s mother is a housekeeper in Kim Tan’s family home and both Kim Tan and Eun Sang attend the same elite private school for the rich and the spoiled (Eun Sang is a scholarship kid, of course). Kim Tan (Lee Min-Ho) and Cha Eun Sang (Park Shin Hye) meet in a chance encounter in Los Angeles, United States, and then again in Seoul, South Korea.